Tip Drill

I can't find much info on this chune. (Ryan?) But its had me Tip Tap Dancing my ass off for a week now. Its a radio rip, but quality is good enough to play out. You're welcome.

RECORDS!6

Here's a recently acquired Italo jammer 12" from 1981 by Firefly. The vocals are kinda brilliant because half the time I understand by the feel of his voice what he's getting at, but really this guy's pronunciation is so swazzled that I have no fucking clue what he's saying. The seeming behind the trio, Maurice Cavalieri, seems to have worked on the Rainbow Team LP (a 12" from them will be next), and perhaps something with Kano as well. The below is not my photo, but I have the same 1981 Excaliber issue which I think came out before it was licensed to FullTime for a US release. Not sure how much the mixes differ, if at all, but the version I've upped (the "AA" side) is parenthetically called a re-edit--although it's quite similar to the A side. Haven't played this one out yet, but I'm discojocking Fri. & Sat. and will get to see how the massive stomper break-down goes over!

Firefly: Love (Is Gonna be on Your Side)(Re-edit)
[Excaliber Records; 1981] 256k vbr

RECORDS!4

I've actually managed to do four of these boners more or less on schedule. Unbelievable! I don't really know much about Unlimited Touch aside from they are Crown Heights Affair affiliated, and put out one LP on Prelude. They've got two other mother-falcon jams that I know of, the more known "Searching to Find the One" and the B side to this record, "In the Middle."
I've had that LP for a while, but was psyched to get this 12" because I rearry ruv it and play it all the time. A Francois Kevorkian mix.
\\WARNING: RADICAL DISCO BREAKDOWN BASSLINE WITHIN//

Unlimited Touch: I Hear Music in the Streets (Prelude Records; 1980)

RECORDS!3

Okiedickums! Looks like, it's Larry Levan time here at the Heights. The man in charge of the sound system at New York's Paradise Garage, the man who broke a now-classic 99-bpm-slow-mover and made it into a(n early evening) party starter, and as Ned showed: the man who mixed the hotness out of dozens of tracks. His "legend" seems to be a great starting point for any and all that realize that disco isn't just YMCA-style commercialized bullshit (although click that link because it's pretty much the opposite of bullshit)! Or, as "Woodman" from TurnTableLab deflty described one's discoveries along the journey into the roots of modern dance music:

At the time it was a big revelation for me to be like "wow disco music isn't corny and gay!" This was of course before I realized that most disco is the opposite of corny and that a song's gayness is in fact commensurate with its awesomeness.

Agreed. Anyhoots, I thought there was one banger omitted from the previous .zip pack that is a virtual wetdream for any retro-active fledgling disco nerd:

Class Action: Weekend (Larry Levan mix) (Sleeping Bag; 1981)

# ^ ~ - L I N K F I X X X E D - ~ ^ #
This song was written and originally recorded by my favorite boogie dude ever, writer/singer/producer/keyboardist Leroy Burgess, and issued by Patrick Adams. The above 1981 rework of it included a Levan mix and was released on Arthur Russell's kinda legendary label, Sleeping Bag. TONITE ITS PARTY TIME ITS PARTY TIME TONITE!

RECORDS!2

In 1980 Alicia Myers left One Way ("Cutie Pie," "Push") but continued to work with the group's masterminds, Kevin McCord and Al Hudson (One Way used to be Al Hudson & the Partners!) on her solo records for MCA. One Way records had pretty poppin' production which explains the awesome crisp (early digital?) sound on this 12" "You Get the Best From Me (Say, Say, Say,)" and it's magically mechanical (LinnDrum?) beat break down towards the end. Josh has recently taken that beat out for dinner, talked it into bed, and slyly yet gracefully impregnated it with his digital finger fuck (somehow). But he can tell you about that--and that's not why we're here today: the B side has the real beauty. So much more immediate and sincere--although your initial impression might be "melodramatic R&B boogie ballad," give it a fucking chance you asshole!
This is one of my favorite songs of alls the times--deal with it.

Alicia Myers: I Want to Thank You (MCA Records; 1981)

RECORDS!

It was great being back in MPLS and spending hours slappin' through records and actually being able to listen to a stack before buying and obtaining the best of the bunch for a couple bucks, and rarely more. Of course Tokyo's got records (like a motherfucker) but shops like Cheapo or Hymie's aren't very common. Of course the shops here are pretty much all killer no filler, but you sometimes pay a pretty price (for condition and selection) and can't always preview shit before buying it.
Anyway, I got a stack of some good shit back home and have been meaning to mp3-a-tizzo some of the jams for some of you guys, and talking with Ned (then and today) about records and stuff got me going on finally putting up more songs.
I wanna do a 12" a week or so, hopefully all at 256kbs or better, unless I fuck up... here's a double-dose to get me started.

Spanish language cover version of McFadden & Whitehead's philly disco classic "Ain't No Stoppin Us Now." Cuban band recording in Miami.

Charanga 76: No Nos Pararan (TR records; 1979)


Biz Markie's work with the afore mentioned McFadden & Whitehead original as the NETA (Japanese for sample...let's learn some language too while we're at it).

Biz Markie: Let Me Turn You On (Cold Chillin' Records, 1993)

Can't be bothered to take pics so I'll just steal them for the time being.